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They meet up with a lusty Viking, Sigurd (Barry Kelley), and his bottled-up imp (Don Beddoe), a leprechaun, and the foursome travel to Pendragon's island castle in hopes of rescuing the princess.ĭespite its blatant attempt to emulate Sinbad's success, going so far as to hire that film's director (Nathan Juran), star (Kerwin Mathews) and villainous lead (Torin Thatcher), on its own terms Jack the Giant Killer is pretty entertaining, if unmemorable. The rest of the scurvy crew scurries back to England, setting Jack and the Captain's son and/or cabin boy (the script isn't clear about this), Peter (Roger Mobley), adrift. However, Pendragon sends his army of witches to the ship they're sailing aboard, kidnapping Elaine and killing the captain in the melee. The grateful King (Dayton Lummis) knights Jack and, fearing Pendragon's return, orders him to accompany Elaine to a convent where she can go into hiding. The giant nearly makes it to the ship Garna has standing by, but a young peasant farmer, Jack (Kerwin Mathews), manages to slay the beast. Using his magic, Pendragon transforms the jester into a horned giant (virtually identical to the cyclops in 7th Voyage, but with two eyes). But that night Pendragon, assisted by his popeyed dwarf, Garna (Walter Burke, short but hardly dwarfish), executes his plot to kidnap Elaine. He presents her with what everyone believes is a mechanical doll, a dancing jester. Years after evil Sorcerer Pendragon (Torin Thatcher) and his hordes of witches and hobgoblins have been banished from the Duchy of Cornwall, he returns disguised as a foreign prince paying tribute to the newly-crowned Princess Elaine (Judi Meredith). I watched it with my ten-year-old daughter, and she was thoroughly enchanted. Kino Lorber's excellent new Blu-ray of Jack the Giant Killer sorts out the confusion over this, as well as offering a vastly improved high-def transfer that, frankly, turns what was pretty unendurable tripe on VHS and DVD into something that's actually pretty entertaining. "There aren't any songs in the movie," he insisted. Later, when I told my friend that I found the musical numbers highly intrusive and, well, extremely odd, he thought I was nuts.
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I rented a copy and rushed home to see it. Sometime later, Jack the Giant Killer turned up on VHS.
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The movie had been virtually unseen for more than a decade, but he knew the opening title music by heart and would vividly describe its stop-motion highlights. For him, like all stop-motion animators, Willis O'Brien ( King Kong) and Ray Harryhausen ( The 7th Voyage of Sinbad) were gods, but nevertheless he had a soft spot for producer Edward Small's garish but entertaining rip-off of 7th Voyage. Back in the 1970s I was friends with an extremely talented, award-winning stop-motion animator who'd rhapsodize over Jack the Giant Killer (1962).